This is the most widely collected of all Booths patterns, and was produced for most of the 20th century, finally coming to an end in In various shapes and sizes click here to view selection. Cups of various shapes and sizes, tea and coffee pots, sugar bowls, etc. Gold Gilding on the rim and the inner band entirely in gold. This is the most highly prized by collectors. Brown No gilding on the rim, inner band in brown only.
Chinese Export Porcelain for the West
We just love the inspiration that comes from an amazingly curated styled shoot. When this one hit our inboxes we fell head-over-heels for the fresh blue hues appearing throughout the styling. From the blooms to the cake, the stationery to tiny details, it all feels so beautifully unique and was all pulled together by a super talented team headed up by Little Vintage House That Could. Katie, the lady behind the shoot concept, tells us about how her vision came to reality
[At the height of this daring adventure, the Willow Pattern depicts an up-to-date flamboyance, celebrating the historic Willow Pattern whilst.
Figure 2. Willow Pattern plate, earthenware. Inventory number Dunham Massey, National Trust. C National Trust. Technological advancements in transfer printing in England in the s, made the production of these wares possible. Transfer printing allowed ceramic decoration to be completed in large-batch productions, resulting in reduced prices for consumers and the increased possibility of standardized decoration. By using a steel punch, which was struck with a lightweight hammer, different tonal qualities could be achieved by hammering single dots with diversified depths into the copper plate.
The fact that this Willow Pattern was still sold in by Argos, the largest general goods retailer in the UK, attests to its enduring appeal. Figure 3. Willow Pattern dinner set. Earthenware, transfer-printed in underglaze blue. Sold at Argos in
Artifact of the Week: Willow Pattern Plate
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Ridgeway Mark Johnson Bros. Bakewell Bros. Johnson Bros. After, that many other American pottery companies started to produce Blue Willow items. Many companies produced restaurant dinnerware in Blue Willow and some foreign countries produced the restaurant ware for the United States. Stating both the country and state in the makers mark. Royal China Company Circa — Circa Unknown. The Blue Willow of Japanese origin is greatly from the 20th century.
Also, some marks were just used for American importing companies. Therefore, dating Japanese wares from the 20th Century is more attributed to different time periods. There are other miscellaneous foreign countries that were makers of Blue Willow. Among them are France before and after ; Germany the 20th Century; Holland before and after ; and Poland the 20th Century. We would love to hear your comments, please write us at blogarticles rubylane.
Unearthing the history of Willow Pattern
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The products and services mentioned below were selected independent of sales and advertising. However, Simplemost may receive a small commission from the purchase of any products or services through an affiliate link to the retailer’s website. When I was growing up, we used the Corelle plates everyone had in the 80s. But when we sat down for nice family dinner it was always Blue Willow china. My mom has a vast Blue Willow collection ranging from plates and teacups to a gravy boat and butter dish.
She even has a small oil lamp and clock made from a Blue Willow plate. My great-grandma ran a boarding house during the Great Depression, when Blue Willow was widely available and cheap.
Department of Anthropology
This document covers the earthenware in the blue and white Willow pattern produced by Booths at Tunstall from and A. Harley Jones at Fenton from All statements made in this document are to be regarded as expressions of opinion by the author, rather than assertions of fact. Any users of this document do so at their own risk and should be aware of the possibility of errors existing. However no deliberate deception is intended, and all statements are made in good faith.
As there doesn’t seem to be a formal standard for naming pieces, and if you have always called a Meat Platter an Oval Plate, or vice versa, be prepared for further confusion.
The term “Willow” is applied in a general way to many of the copies of the blue-and-white porcelain imported into England from China during the last half of the.
It became popular at the end of the 18th century in England when, in its standard form, it was developed by English ceramic artists combining and adapting motifs inspired by fashionable hand-painted blue-and-white wares imported from China. Its creation occurred at a time when mass-production of decorative tableware, at Stoke-on-Trent and elsewhere, was already making use of engraved and printed glaze transfers , rather than hand-painting, for the application of ornament to standardized vessels transfer ware.
Many different Chinese-inspired landscape patterns were at first produced in this way, both on bone china or porcellanous wares, and on white earthenware or pearlware. The Willow pattern became the most popular and persistent of them, and in various permutations has remained in production to the present day. Characteristically the background colour is white and the image blue, but various factories have used other colours in monochrome tints and there are Victorian versions with hand-touched polychrome colouring on simple outline transfers.
The exact moment of the pattern’s invention is not certain. During the s various engravers including Thomas Lucas and Thomas Minton were producing chinoiserie landscape scenes based on Chinese ceramic originals for the Caughley ‘Salopian China Manufactory’ near Broseley , Shropshire , then under the direction of Thomas Turner. However the Caughley factory did not produce the English Willow pattern in its completed form. Thomas Lucas and his printer James Richards left Caughley in c.
Thomas Minton left Caughley in and set up on his own account in c. The Willow pattern is commonly presented in a circular or ovate frame. The waterside landscape represents a garden in the lower right side, in which a large two-storey pavilion stands.
Instantly recognisable, its Chinese-inspired design and intricate detail make it popular with many Australian householders. In this fascinating talk, renowned expert Lucienne Fontannaz explains the rich and surprising history of the willow pattern, its origins and the folklore behind the design. The CHAA is a community organisation set up to promote the study and discussion of the history of the Chinese community in Australia.
Dating specific Blue Willow pieces is extremely difficult. There are many factors in doing so, due to the subjects that make up the pattern. Such as, the number of.
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All About Antique Blue Willow China
Two birds flying high, A Chinese vessel, sailing by. A Chinese temple, there it stands, Built upon the river sands. An apple tree, with apples on, A crooked fence to end my song. As one of the most renowned and fascinating of romantic fables, with its Shakespearean overtones of doomed love and tragedy, the Willow Pattern story is universally familiar. This timeless tale of star-crossed lovers appeals to the imagination whilst the intricate and decorative Willow Pattern itself has been hugely popular for centuries.
This instantly recognisable pattern is a classic Chinese landscape design, the fundamentals of which include a weeping willow, pagodas, a crooked fence, a tree bearing fruit, three or four figures on a bridge, a boat and a pair of lovebirds forever kissing.
I was inspired by the classic blue and white Willow Pattern China design to capture something with a nod to oriental styles, so lots of pleats and.
Q: I have several pieces of Blue Willow china but not a complete set. The largest piece is a platter that is 15 inches across. The pieces have no marks but I know they are at least 60 years old. These stories originally were published in and tell all about the adventures of a young girl growing up in rural Prince Edward Island. In the first book, town busybody Rachel Lynde plans a booth for the church fair. As she wants the booth to have the look of an old time kitchen, she decorates the booth with Blue Willow china.
Both of your friends are correct. Blue Willow porcelain was first imported to England from China in the 18th century. By , porcelain manufacturer Thomas Minton had reproduced the pattern on a line of his dishware. Blue Willow never has been out of production somewhere in the world ever since. One reason for the popularity is the charming detail of a castle, a fence, a boat on a river, two figures crossing a bride and a pair of birds.
All the details are components of an ancient love story. Several variations exist but the simple version is as follows. Her father forbids them from seeing each other and fences his daughter within the garden.
Identifying Blue Willow China
With an intricate design based on a Chinese legend, Blue Willow china is both beautiful and captivating. Whether you have some Blue Willow pieces inherited from your mother or grandmother or you’re planning to start your own collection, learning more about this fascinating china pattern will make collecting it even more special. Developed by Thomas Turner in , the Blue Willow pattern eventually became a classic fixture on many tables around the world.
The pattern is actually English, although it is based on similar blue landscape designs in Chinese porcelain. By the end of the 18th century, several English potteries were making Blue Willow patterns, and it immediately captivated the imaginations of consumers.
The blue willow ware plate is simply stamped “Japan.” I would date it to s (based on similar logo stamps and condition). It is in good antique condition with.
Blue and white “Kraak” paneled decoration on a thin porcelain body. Diameter 34 c. J E Nilsson Collection. The Portuguese were the first to establish regular trade with China over the sea. The first export porcelain got to be known as Kraak porcelain , probably after the Portuguese Carrack’s which were the ships the Portuguese used for the trade.
At the end of the 16th century, a most fascinating exchange of ideas started to occur between China and the West.
SIDE PLATE 20 CM CHURCHILL WILLOW BLUE TABLEWARE DINNERWARE PLATES SET OF 6
By Connor Lysaght. We live in a highly globalised and connected world. Worldwide shipping and communication networks have intensified and become less costly over time, meaning that it is now normal for us to do something like purchase an item that was produced in another country while out shopping.
This document covers the earthenware in the blue and white Willow pattern This mark comes in two sizes, s and 1, and is often combined above the date.
What is willow? The willow pattern is an oriental pattern, most often seen in blue and white, that features common elements from manufacturer to manufacturer. These elements are a willow tree, an orange or apple tree, two birds, people on a bridge, a fence, a boat and a teahouse, which some collectors call a pagoda. The willow pattern has been made by hundreds of companies in dozens of countries, and in colors from the most-seen blue, to red, green, gold, yellow, purple, black, brown, multicolored and the list goes on with combinations.
Did you know the willow pattern has earned a rather unique distinction? Because it has been in existence for more than years, it is the china pattern with the longest continual production in history. Where did the willow pattern come from? It finds its roots in China, where throughout the 15th through 18th centuries, the Chinese potters were exporting their porcelain wares decorated with hand-painted cobalt designs under glaze.